Current Projects
So it's been a while since I've posted anything here, and the reason is that I've been quite busy. I'm currently doing a postdoc, buying a house, looking for a job, and studying for the national psychology licensure exam. However, my life has not been too busy to engage in some musical adventures. Here's a little peek at what I've been doing:
1. The Sigmund Blue album
I'm thrilled to say we've finished recording, mixing, and mastering the new Sigmund Blue album. We're currently working on the cover art and a few other details. This album ROCKS and I can't wait for people to hear it.
2. Re-working of Volumes I and II
I recently started thinking about remastering my 2002 two-volume set, as well as culling some of the (in my opinion) weaker tracks from the package to reduce them down to one standalone album. I figured while I was bothering to remaster things, I might as well bust out the original project files and remix them in my current studio (which has much better plugins, etc.). Lo and behold, I found two long-lost songs that were set aside back in 2001-2002, but would have otherwise appeared on those albums! I had to finish some of the tracking for these before they could be released, which I did, trying as much as possible to match sounds to those that would have come out of my studio in 2002. So now, in its current state, I have an album I am tentatively calling "Volume Adjustment," which features 12 songs (10 from the original Volumes I & II plus the two long-lost songs). Things are sounding magnificent, so I am very excited about this.
3. New album
I have begun work on an all-new solo album. There are currently 7-8 songs in construction, and I am planning to add 4-5. For this album, I have adopted a different writing process than usual. Truthfully, this was very much inspired by my recent work with Sigmund Blue. Instead of sitting down to 'write a song' and then later recording that song, lately I've been writing as I record (recording as I write?). This allows me to record a chord progression or a tidbit of an idea, then come back later to add to it. I'm finding that as a result, the chords are generally getting written first, followed by the words/melody (usually I would write the chords and melody simultaneously). The songs have a slightly different flavor than usual as a result, in my opinion. So far there is one exception to this process, a song called "Recipe for Ruin" which I originally wrote for Todd Rooster. The song was played live a few times, but nothing much ever came of it. It qualifies for this project because it was written in a similar way: the bass riff was the genesis of the song, followed by the chorus chords, and then lastly the words/melody. I'm happy (and also frustrated) to report that the songs on this album are sufficiently catchy to get stuck in my head at work every few days.
4. New long-distance collaboration
I am delighted to report that I've begun working on a collaborative recording project with guitar virtuoso David Michael Tafe of Boston, MA. Mike and I went to high school together in New Canaan, CT and used to jam together pretty often. We always respected the hell out of each other as musicians, but never found a way to work together on a project. Well, now we're giving it a shot, long-distance. One thing you can bet on: this project will sound very little like anything I would do as a solo artist! Mike's influences range from classical to metal to folk, and his songwriting has a distinctly Alice In Chains/Soundgarden flavor to it. I'm really excited to hear the results of our efforts together. It's been a lot of fun so far!
Have a suggestion for a project I should consider? Drop me a line at GregGoldman@gmail.com and let me know! I'm always interested in new ideas.
1. The Sigmund Blue album
I'm thrilled to say we've finished recording, mixing, and mastering the new Sigmund Blue album. We're currently working on the cover art and a few other details. This album ROCKS and I can't wait for people to hear it.
2. Re-working of Volumes I and II
I recently started thinking about remastering my 2002 two-volume set, as well as culling some of the (in my opinion) weaker tracks from the package to reduce them down to one standalone album. I figured while I was bothering to remaster things, I might as well bust out the original project files and remix them in my current studio (which has much better plugins, etc.). Lo and behold, I found two long-lost songs that were set aside back in 2001-2002, but would have otherwise appeared on those albums! I had to finish some of the tracking for these before they could be released, which I did, trying as much as possible to match sounds to those that would have come out of my studio in 2002. So now, in its current state, I have an album I am tentatively calling "Volume Adjustment," which features 12 songs (10 from the original Volumes I & II plus the two long-lost songs). Things are sounding magnificent, so I am very excited about this.
3. New album
I have begun work on an all-new solo album. There are currently 7-8 songs in construction, and I am planning to add 4-5. For this album, I have adopted a different writing process than usual. Truthfully, this was very much inspired by my recent work with Sigmund Blue. Instead of sitting down to 'write a song' and then later recording that song, lately I've been writing as I record (recording as I write?). This allows me to record a chord progression or a tidbit of an idea, then come back later to add to it. I'm finding that as a result, the chords are generally getting written first, followed by the words/melody (usually I would write the chords and melody simultaneously). The songs have a slightly different flavor than usual as a result, in my opinion. So far there is one exception to this process, a song called "Recipe for Ruin" which I originally wrote for Todd Rooster. The song was played live a few times, but nothing much ever came of it. It qualifies for this project because it was written in a similar way: the bass riff was the genesis of the song, followed by the chorus chords, and then lastly the words/melody. I'm happy (and also frustrated) to report that the songs on this album are sufficiently catchy to get stuck in my head at work every few days.
4. New long-distance collaboration
I am delighted to report that I've begun working on a collaborative recording project with guitar virtuoso David Michael Tafe of Boston, MA. Mike and I went to high school together in New Canaan, CT and used to jam together pretty often. We always respected the hell out of each other as musicians, but never found a way to work together on a project. Well, now we're giving it a shot, long-distance. One thing you can bet on: this project will sound very little like anything I would do as a solo artist! Mike's influences range from classical to metal to folk, and his songwriting has a distinctly Alice In Chains/Soundgarden flavor to it. I'm really excited to hear the results of our efforts together. It's been a lot of fun so far!
Have a suggestion for a project I should consider? Drop me a line at GregGoldman@gmail.com and let me know! I'm always interested in new ideas.